Showing posts with label Adobe. Show all posts
Showing posts with label Adobe. Show all posts

Tuesday, October 27, 2009

PhotographyBB Online Magazine – 21st Edition

Press Release

Oct 23rd, 2009 – VANCOUVER, CANADA – PhotographyBB announced today, the release of the 21st edition of the PhotographyBB Online Magazine. The PhotographyBB Online Magazine is a leading resource in the future of free information distribution, offering readers: Digital Photography tips and techniques, DSLR camera function training, and image post processing tutorials in Adobe® Photoshop™, and RAW processing in Photoshop Lightroom™.

The October 2009 edition oppropriately features Halloween themed tutorials such as “How to Photograph Ghosts” and “Digital Pumpkin Carving in Photoshop.” Additionally this issue explores a sneak peak at the new Adobe Photoshop Lightroom 3 Beta release, and some of the exciting new features that Adobe has to offer.

Editor in Chief, Dave Seeram had these comments regarding this recent release:

“I’m really proud of the work that our team has done with this issue. In addition to our regular photography and tutorial columns, this month we have a special feature – a sneak peak at the new features in the Lightroom 3 (Beta) release. Readers can check out these new features, then download their own beta copy from Adobe Labs and try it out for themselves. Additionally, since this month typically lends itself to gorgeous outdoor fall photography, we are also looking at outdoor portrait shooting techniques. For Halloween, we’ve even got some themed tutorials to really get out readers into the Halloween spirit. Couple that with the FAQ series where we answer questions from our readers, and the continuation in our popular HDR series, and I feel we have a special issue this month.

 Read it all…

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Photoshop CS4: The Missing Manual

Layers: The Complete Guide to Photoshop's Most Powerful Feature

Thursday, October 22, 2009

Adobe Photoshop Lightroom 3 Beta Now Available!

Press Release

New Lightroom beta delivers faster performance, refined image processing and streamlined publishing.

SAN JOSE, Calif. - Oct. 22, 2009 - Adobe Systems Incorporated (Nasdaq:ADBE) today introduced Adobe Photoshop Lightroom 3 beta software for Macintosh and Windows, a public preview of new and improved functionality to be delivered in the next major release. Lightroom is the essential digital photography workflow solution, helping serious amateur and professional photographers quickly import, manage, enhance and showcase all their images from one application. Available as a free download on Adobe Labs, Lightroom 3 beta delivers a preview of new tools that will be in Lightroom 3, including more intuitive importing, unparalleled noise reduction and sharpening tools, enhanced slideshow capabilities and direct publishing to online photo sharing sites like Flickr. Adobe encourages photographers to test this early selection of new features and provide the product team with their feedback.

"We are extremely fortunate that a strong community of photographers have rallied around Lightroom, helping to evolve the application and making it a meaningful part of their photographic workflows," said Kevin Connor, vice president of product management for Professional Digital Imaging at Adobe. "While we're still hard at work on Lightroom 3, we recognize the value our customers bring to the development process and want their input so we can deliver the best final product possible."
New in Lightroom 3 Beta

Lightroom 3 beta has been completely redesigned with under-the-hood efficiencies to better handle growing image libraries and improve responsiveness with a higher-quality processing engine. In the Library module, a rebuilt import system makes bringing photos into the software more intuitive. Users can easily specify the source and destination of their images, and save common processing, metadata or destination settings as easy-to-reuse presets.

The Library module also includes new capabilities to publish collections on popular photo-sharing sites. Flickr users now have direct access to their accounts from within Lightroom and can drag and drop images directly into their Photostreams. Flickr Pro account users can automatically synch their images and even view comments made on Flickr directly within the Library. This functionality can be extended to additional sites by adding them as new plug-ins once they become available.

In the Develop module, an overhauled processing engine allows users to create the highest quality images. Improved Capture Sharpening and Color Noise Reduction tools provide superior results while still preserving an image's edge detail and contrast. A new Grain tool adds a film-style grain to images, and two new Vignette modes help photographers get a more natural look.

Lightroom 3 beta also offers advanced output options, including the ability to export slideshows as videos with audio and title screens that can be posted to video-sharing sites or optimized for mobile media. New watermarking capabilities enable photographers to embed text or graphic information directly on an image and then adjust the size, position and opacity. In addition, photographers can customize print layouts and save settings for future use, giving them refined control over their images.
Adobe Photoshop Family

Adobe Photoshop CS4 and Photoshop CS4 Extended software are at the heart of the Photoshop family, joined by solutions for users at every level who want to bring out the best in their digital images. Photoshop Lightroom addresses the workflow needs of serious amateur and professional photographers, helping them manage, find, enhance and showcase images in impactful ways. Adobe Photoshop Elements software provides exciting tools and sharing options for photo enthusiasts. Lastly, snap shooters can access Photoshop.com for free to simply fix and enhance photos, and quickly share those images on Photoshop.com or on social-networking sites.
Pricing and Availability

Adobe Photoshop Lightroom 3 beta is available as a free download to anyone on both Macintosh and Windows platforms. Visit http://labs.adobe.com/downloads to learn more and download the beta.

Feedback can be submitted on the Lightroom forums: http://forums.adobe.com/community/lightroom. Users also can connect with Adobe at www.facebook.com/lightroom or www.twitter.com/AdobeLR, and can add the tag #AdobeLR3beta to tweets about the Adobe Photoshop Lightroom 3 beta.


About Adobe Systems Incorporated
Adobe revolutionizes how the world engages with ideas and information - anytime, anywhere and through any medium. For more information, visit www.adobe.com.

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The Adobe Photoshop Lightroom 2 Book for Digital Photographers

The Adobe Photoshop Lightroom 2 Book: The Complete Guide for Photographers

Photoshop Lightroom 2 Adventure

Lightroom 2 Power Session DVD

Wednesday, October 14, 2009

Free Video: The Russell Brown Show – Tackling Tough Problems

 

Discover the latest Photoshop tips and techniques, delivered by the master himself, Dr. Brown. Learn more than you ever thought possible about the art and skill of Photoshop!

In this Adobe Photoshop CS4 Tutorial, Russell Brown covers a wide variety of new Photoshop tools including Content Aware Scaling, Mirror Image Cloning and the Protect Tone feature.

 

 

Enjoy…

 

Adobe Photoshop CS3 Classroom in a Book

Adobe Photoshop CS4 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC

Photoshop CS4: The Missing Manual

The Adobe Photoshop CS4 Book for Digital Photographers

Monday, October 12, 2009

Free Video – Learn To Organize Your Photos Using Lightroom

 

Your instructor, Julieanne Kost will show you how to organize and manage your images using the folder  panel inside of  Adobe Lightroom. You begin with the more basic abilities and move to the more complicated ones. Enjoy!

 

Tuesday, September 29, 2009

onOne Software Announces Photo Essentials 3 for Adobe Photoshop Elements 8

Portland, OR September 24, 2009
New version brings improved color correction, additional image framing content and the new Make It Cool! module that gives digital photos a professional look.

onOne Software, Inc., a leading developer of time-saving solutions for professional and advanced amateur photographers, today announced a new version of Photo Essentials 3 for Adobe Photoshop Elements. onOne Photo Essentials 3 is a collection of five tools that painlessly correct color, remove unwanted backgrounds, add photographic effects and enlarge photos. These easy-to-use tools help photography enthusiasts get the job done quickly and easily in Adobe® Photoshop® Elements.

Supporting the new Adobe Photoshop Elements 8.0, onOne's Photo Essentials 3.0 offers these capabilities:

- New Photo Essentials Palette - The Palette provides quick access to all five modules from a single location right inside Photoshop Elements.
- Make It Cool - New in Essentials 3, this offers a library with dozens of professional effects that can be added to images in one click.
- Make It Better - Turn your snapshots into professional images. Automatically fix brightness, contrast, color and sharpness with no need to understand cryptic sliders.
- Cut It Out - Easily remove an unwanted background while maintaining fine detail such as hair, clouds and glass.
- Frame It - Choose from hundreds of easy to add edge and border effects to give pictures the perfect finishing touch.
- Enlarge It - Get sharp, poster sized prints out of your photos, even from camera phones.

"Our mission is to provide tools that help make digital photography easier, faster and better. onOne Photo Essentials 3 delivers on this by helping amateur photographers spend less time in front of their computer correcting their digital images and more time behind the camera taking pictures," said Craig Keudell, president of onOne Software. "And with this new version of Photo Essentials 3 comes a completely new module, Make It Cool, based on our award-winning PhotoTools 2 plug-in, a new dynamic range optimization algorithm in Make It Better and a new version of the Photo Essentials Palette."

Availability

onOne Software's Photo Essentials 3 will be available in October 2009 for $69.99. Customers who purchase Essentials 2 on or after September 24, 2009 will receive a complimentary upgrade to Photo Essentials 3 as an electronic download for free. For more information on Photo Essentials, please visit www.ononesoftware.com/essentials.

About onOne Software

onOne Software, Inc. a leading developer of innovative software tools for photographers, develops time-saving software solutions for professional and advanced amateur photographers. onOne Software solutions have been created to help photographers spend more of their time behind the camera taking pictures instead of the computer workstation. Such solutions include a wide range of easy-to-use plug-in enhancements for Adobe® Photoshop®, Photoshop Elements, Photoshop Lightroom, Apple Aperture and Apple iPhoto. Founded in 2005, onOne Software is a privately held company located in Portland, Oregon. For additional information, visit www.ononesoftware.com or call 1-888-968-1468.

 

Saturday, July 18, 2009

Video Training Review: Photoshop CS4: Learn By Video from Peachpit Press in Association with Adobe Press

Written by T. Michael Testi

 

Photoshop CS4: Learn By Video is a complete training program that was created by the Graz, Austria company Video2Brain for Peachpit Press in association with Adobe Press. The aim of this course of instruction is to teach you not only the fundamentals of Photoshop, but to also show you how to use the program to create effective forms of digital communication. Video2Brain is an Adobe Certified Training Provider.

Photoshop CS4: Learn By Video contains 19 hours of video that is presented by Gabriel Powell and Mikkel Aaland. Included as well are lesson files, assessment quizzes and review materials. Also included with the DVD is a 120-page book that provides a topic-by-topic guide to the video. The video has a unique interface that allows you to jump to any topic as well as tag individual topics for later review. The project files are included on the disc so that you can practice along with the video. There are review questions to help to reinforce what you have learned.

Lesson 1, "Getting Started with Photoshop," shows you how to get up and running quickly with Photoshop. In this lesson you will learn about a lot of techniques that will have you working more efficiently. Along with touring the interface, opening and organizing documents, and saving your workspace, you will learn a number of basic techniques including creating a panorama, photo enhancements, creating a collage, and creating a basic 3D image.

Lesson 2, "Image Editing Concepts," introduces you to the basics of image editing. These provide the foundation of your Photoshop knowledge. Each video shows you a specific concept beginning with the differences between a raster image and a vector image. You will then look at image size and resolution, color modes, nondestructive editing, selections, layers, and masks.

Lesson 3, "Importing and Organizing Images," begins by showing you how to place files into a document, how to import scanned images, as well downloading images from your camera. You will see how to work with Adobe Bridge to compare, rate, add metadata, organize, and assign keywords to your images. You will also learn how to work with Adobe Camera Raw to do preliminary enhancements to your photos.

Lesson 4, "Tools," examines the tools panel and takes a look at each of the tools, what they are used for, and how to use them. Here you will delve into the inner workings of each tool. Each of these videos contains the contents of an individual panel and the tools that make up the panel. There are twenty-four videos covered in this section.

Lesson 5, "Making Selections," now focuses on how to isolate and select a portion of your image. Making selections is an important skill that one needs to master if you are using Photoshop. Just about everything that you do can be made easier if you know how to select areas in your image. Here you will look at selecting color ranges, combining selections, refining selections, and saving selections. You will then see how to accomplish some specific tasks when using selections like combining photographs and changing the color of a selection.

Lesson 6, "Layers and Masks," now looks at two more important Photoshop tools. You will begin by working with layers and learning how they make up the fundamental building block of a Photoshop file. You then learn about Layer Masks and how they can be use for compositing and merging images. You will then see examples of painting special effects on layers, advanced photo merging, how to change facial structure, and more.

Lesson 7, "Color Correction and Retouching," examines what color correction is, and how you can improve an image by adjusting the color to better reflect what is seen in the image. In this lesson you will see how to use a histogram, adjust tone and color. You will see how to do each with both Levels and Curves. Then you will see how to limit adjustments with layer masks as well as other photo retouching techniques.

Lesson 8, "Working with Type," looks at the type tools and what you can do with type within Photoshop. You will start off with using point type, move to paragraph type and then you will begin to get more creative by typing on a path, applying layer styles to type, filling type with an image, and adding type to a perspective plane.

Lesson 9, "Preparing, Saving, and Printing Images," is really all about doing something with your images outside of Photoshop. This includes preparing for commercial printing, preparing for the Web, creating a photo gallery, preparing images for video, and printing images as well.

Lesson 10, "Color Management," now looks at working with color space. If this is a topic that makes you want to turn and run, then stop and watch. In the first video, you will see how a color space looks on screen and what it is really all about. You then will see how to soft proof your images, how to assign color profiles, and how to use color management in the print dialog box.

One thing that is noticeable about the training in Photoshop CS4: Learn By Video, is that it is not focused on photography. It is not going to tell you how to take a better shot, nor will it make your editing easier when you shoot, considering some item. Instead, it is all about Photoshop.

The goal with Photoshop CS4: Learn By Video is to make you a better Photoshop user so that if you want to take the Adobe Certified Expert test, you will have the skills to pass it. Keep in mind that this course is aimed at the beginning to novice user and is much wider in its scope than it is deep. But for that user, and at this price, I can very highly recommend this course.

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Monday, June 29, 2009

Book Review: The Hot Shoe Diaries: Big Light from Small Flashes by Joe McNally

Written by T. Michael Testi

Joe McNally is an internationally acclaimed photographer whose 30-year career has included assignments in over 50 countries. His images have graced the covers of Time, Sports Illustrated, National Geographic, and during the 1990s he was Life Magazine's sole staff photographer.

So just what is The Hot Shoe Diaries? It is a book about what Joe McNally has learned about lighting and the lighting of a wide range of situations during his photographic career, and it includes a wide variety of images he has created during that time. He begins with the basic gear and then works with one light, then two or three and then quickly accelerated to Mach1 which, to paraphrase Led Zepplin, is about a "Whole Lotta Light." The Hot Shoe Diaries is 320 pages and divided into four parts.

Part I, "Nuts 'n' Bolts," introduces us to what kind of equipment the author uses, how he shoots, how he meters, and all about the different settings that he frequently uses. He explains about the flashes, and the technology of today's flashes. He also goes into detail about the other gear that accompanies him on a shoot.

Keep in mind that McNally is a Nikon shooter so when he talks camera and especially the flash technology he comes from a Nikon angle. This should not dissuade users of other models as the book is about concepts and techniques and not technology.

He then goes in to his philosophy of light, shooting, and explains how one should go about learning to hone their abilities. Finally, he goes over how best to grip the camera and take your steadiest shot.

Part II, "One Light!" is, as the title implies, about using one small flash to light your scene. In these articles, there are quite a variety of lighting situations from an open room where the flash is used as fill light, to a night scene where he uses it to capture the eye and the silhouette of an alligator.

He explains about good light and bad light and how the flash can be used in a non-optimal scene, how it can be used in conjunction with light from a doorway, and even how to use the flash to make it appear that the sun is rising on a cloudy day.

Part III, "Two or More," now gets into shooting with multiple lights. The problem with shooting with a single light is that in situations where there is no other fill lights such as from an open window, the one light can leave shadows and harsh areas. This is especially true if that one light is the pop-up flash on your camera. According to the author, the pop-up flash should only be used in a pinch when you don’t care about the image, or for taking a picture of someone you don't like.

On the other hand, the pop-up can be used as a driver for a handheld or remote wireless flash. In these situations then you will have better luck. In this section you will explore how McNally uses a couple of flashes to light a situation.

"Lotsa Lights," the topic of Part IV, are what you need when lighting full scenes or large objects. In this section you will see what is needed to light more complex situations. Imagine you want to photograph a person in a garage scene. Well two or three lights will be fine for the person, but what about the background? You may need some for around the bench, some for the walls, etc.

The examples in this chapter includes low light scenes that need many lights to convey a mood, to outdoor projects that need to move quickly because of the heat and sun, to how to build a backyard studio, to lighting an Air Force plane using 47 Speedlights.

So in this part you will see how to get a scene to give up its nooks and crannies. To do that you have to plan what you are going to frame in your shoot so you can see what you need to light. You will also explore other areas to do complex lighting

As with the author's first book, The Hot Shoe Diaries is a fun and entertaining read. But most of all it is classic Joe McNally. For those who follow his blog you will know what I mean, for those who don't you should check it out.

For the most part The Hot Shoe Diaries is written in an easy to understand, conversational style, but there are times when someone new to photography, or someone who may have experience with a camera, but not with photographers, might miss some things in translation.

McNally speaks in photographer jargon at times. For example in one place he says "Zoomed the flash to the maximum at 105mm, gelled it with two cuts of CTO to keep it warm in tone, and dialed the power output way down." If you don't know that CTO stands for Color Temperature Orange, and that the gel is used on your flash correct the lighting, you may be intimidated by the language.

What I say is that if you want to become a better photographer, become better with using flash in lighting situations, then when you don't understand something, find out. It is easy to do. Some may say that this book is not for newbie's. I disagree; I think that The Hot Shoe Diaries is for anyone who wants to learn to use small flashes to create big light. I very highly recommend this book.

 

 

Friday, May 29, 2009

Book Review: Photoshop CS4: Down And Dirty Tricks By Scott Kelby

Written by T. Michael Testi

It has been a while since author Scott Kelby has put together a Down And Dirty Tricks volume together, but now, with Photoshop CS4: Down And Dirty Tricks he has come back to where it all started and he has accumulated a whole host of new Photoshop special effects in one book.

This title has been one of the best selling Photoshop books in history and its release is long overdue. Down and Dirty 5.5 was the first book that Scott Kelby ever wrote and subsequently, is what started his career.

Keep in mind that unlike many of Kelby's recent books, THIS IS NOT A BOOK ABOUT PHOTOGRAPHY. You will not learn about camera raw, about sharpening, about curves, or levels, or channels. It is a book about creative design with photographs. It falls back to an earlier time in his career when he worked with design effects.

The effects that are contained within are the same types of effects that you see on TV, in magazines, and on the Web. The book also contains creative ideas, layouts, and design techniques to enhance your creativity. Photoshop CS4: Down And Dirty Tricks is 384 pages long and is divided into nine chapters.

Chapter 1, "Miracle Photo," is the first of two chapters on photo effects. Some of the techniques include a very popular de-saturated portrait look, a corporate ad that takes on a sports poster look, a reflected sky logo technique, and an effect that takes a photo of a real object (a baseball stadium) and makes it look like a toy.

Chapter 2, "Studio 54," looks at professional style studio effects that are done in Photoshop. These include a logo that is placed on a grid-like floor that goes off in the distance, adding texture and aging to a photograph, and a gritty high contrast portrait look,

Chapter 3, "Commercial Break," works with special effects that are used in commercial environments such as brochures and advertisements. These include a sports-look bio page, a line burst background effect, and a back screen layout.

Chapter 4, "Dangerous Type," examines type effects that have been made famous from various sources beginning with the halftone pattern type look that was used for Ford's F-150 trucks. Then you will see how to create the look used in the movie "Fracture," the Play station type effect, and others.

Chapter 5, "Reflections of Passion," now explores reflection effects. You begin with how to correctly create a basic reflection. While this may seem simplistic, it is something that I have seen messed up by many. You then move on to letter or shape reflections using a double gradient, a glassy bar reflection, how to create a 3D video wall with live updating reflections, and more.

Chapter 6, "Truth in Advertising," is about effects seen in web and magazine ads. Included is a multi-photo look to use when you have only one photo, but don't want that one photo look. A fake see-through glass look, and a chrome with photo reflection look that Disney Pictures used on their new logo.

Chapter 7, "The Midnight Special," contains more special effects that include working with a mix of photos and vector art, a fashion-warped grid look, and a fading people in the background look.

Chapter 8, "Photo Finish," is a second chapter on photo effects. Here you will see such effects as creating a sports wallpaper look, how to add window light to flat looking photos, and creating sparkle trails.

Chapter 9, "3D Jamboree" was actually written by Corey Baker, an instructor and 3D specialist at NAPP - since Scott Kelby admits that he lives in a 2D world. In this chapter you will learn how to create true 3D lights and shadow, 3D package design, a 3D filmstrip, as well as a 3D sports logo.

As with all of Scott Kelby's books Photoshop CS4 is very well written, easy to understand, and chocked full of pictures and descriptions. And, as with all of Scott Kelby's' books, there is a certain amount of humor that you either tend to like or hate. For those who are not a fan, he does contain this humor to the first page of each chapter where you can get by without reading it. For me, it just wouldn't be a Kelby book without it.

While Photoshop CS4 is about learning how to create and use special effects, according to the author, it is more about doing things other than photography, sharpening, camera raw, and all the other usual techniques you find in most Photoshop books. It is about learning the "other side" of Photoshop.

One thing to keep in mind is that Down And Dirty Tricks should be viewed as a cookbook and not an in-depth guide to each of these techniques. I have heard in the past where someone says that the book just tells you to put in values, but not why to pick those values? For example, in this book in one tutorial you are told "when the Gaussian Blur dialog appears, enter 9 pixels, then click OK to apply…" Sure, you are not told why 9 is the magic number, but this is no different than when you are making spaghetti sauce and you are told to put in an 8 oz can of tomato paste. If you want to try 6 go for it.

For me, the real purpose of Photoshop CS4: Down And Dirty Tricks is not to show you how to recreate the effects demonstrated here, although if you needed to, you have the steps. The real purpose is to show you the steps to recreate an effect. Then with an arsenal of techniques at hand, you can start putting your own techniques together to create your own style. In his intro, the author recommends that you work through each tutorial even though you may never use that technique. It is because of value of gaining this arsenal that I very highly recommend this book.

 

Friday, May 01, 2009

Book Review: Photoshop CS4 Photographers Handbook By Stephen Laskevitch

Written by T. Michael Testi

 

Digital technology has fundamentally changed how we photograph and print images. You have unlimited options in order to accomplish creating the precise image output that you imagine. The level of control today now exceeds some of the most powerful darkroom techniques that were available in the past.

But this power comes at a price. The price is that, for many people, it is an overly complex piece of software and with all of its features it can become confusing. In fact, many of these features most people will never use. The goal of Photoshop CS4 Photographers Handbook is to guide you through the thousands of complex techniques for editing an image, and distill out those few steps that are really needed to get the vast majority of the jobs done.

Although Photoshop CS4 Photographers Handbook addresses Adobe Photoshop CS4, Lightroom 2, Adobe Bridge, and Adobe Camera Raw, many of these techniques will apply to previous versions of these products. The book is 272 pages in length and is divided into 10 chapters.

Chapter 1, "Terms & Concepts," begins by covering many of the technical details of how computers and software deal with digital images. This section gives you a good foundation for your understanding on how Photoshop 'sees' your digital image. Chapter 2, "System Configuration," gives you an overview of how you might configure some general settings in each of the applications that are addressed in the book. There is also information on what to consider when purchasing new equipment.

Chapter 3, "Flowing with the Software," gives you the means to be in tune with the tools that you are using and the tips and techniques to work with the software in the most efficient manner possible. Chapter 4, "Capture & Import," are important in the workflow. While it is possible to fix many types of problems in Photoshop, it is still a better idea to start with the best image possible. After capturing the image, you will also see the best way to get images in to both Lightroom, and Adobe Bridge.

Chapter 5, "Organizing and Archiving Images," will help you develop a strategy for keeping your images organized. Here you will work with Stacks and Collections, moving images through the process, as well as options for backing up your images. Chapter 6, "Global Adjustments" looks at the big picture of image correction. These adjustments focus on making the overall difference in your image. This includes, tone, brightness, contrast, color, and cropping.

Chapter 7, "Local Adjustments," pertain to changes that need to be made to a smaller portion of the image. Say the sky is too flat and you want to punch it up, or the face is in the shadows and you want to lighten it without washing out the rest of the picture to make the image more balanced. Here you will learn how to target adjustments. Chapter 8, "Cleanup and Retouching," is also referred to as spotting. This is where you will clean up dust spots, blemishes, or other flaws in the image.

Chapter 9, "Creative Edits & Alternates," is a catch-all chapter that details the effects that you may want to employ that do not fit one of the other sections. This includes burning, dodging, adding soft focus, adding film grain, and boarder effects. Chapter 10, "Output – Print, Web, and Presentation," looks at the different methods for presenting your image output. This includes printing on inkjets, putting your images on a website, or creating a presentation using Lightroom.

At first it seemed that Photoshop CS4 Photographers Handbook was trying to accomplish too much by trying to cover how things are done for four products, but by having the flow be the main thread, and highlighting the techniques for each, it really was not too confusing once you got a hang of it. Some may still complain that the title says Photoshop, and it also spends time covering Lightroom, but that was not a problem to me.

Another thing that I liked is that annotations on the screen shots. Not only is the important aspects highlighted, but the flow from one dialog to the next is made apparent. Overall the text is clear and concise and the dialog a narrative voice. While a more advanced user would gain some insight, this is really geared for the beginner user, the user who has been using Photoshop and wants to become more efficient in their workflow, as well as the person making the transition from film to digital. For these users, I highly recommend this book.

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Monday, April 27, 2009

Book Review: Adobe Photoshop CS4 For Photographers: A Professional Image Editor's Guide To The Creative Use Of Photoshop For The Macintosh And PC By Martin Evening

Written by T. Michael Testi

If you want to learn how to use Photoshop to improve your photos, then who better to learn it from than a professional photographer who not only uses Adobe Photoshop, but is in on the ground floor as an alph/beta tester for the product? Because of the complexities of updating a book like this every time that Adobe comes out with a new version, and with the fact that Adobe rarely takes anything out of Photoshop, but always adds new features makes it that more complex.

To this end, Martin Evening has focused on the essential information that you need to know about Photoshop Camera Raw, Bridge, and all of the new features in Photoshop CS4. To do this there are some things that have been removed and others that been reworked with the help of Jeff Schewe and have been put into a book called Photoshop for Photographers: The Ultimate Workshop.

While Adobe Photoshop CS4 For Photographers is not a beginner's guide, over the years, the content has been adapted for a broader readership. Even so, it is still a reference book for all things Photoshop and working with photographs. There is a reason the subtitle begins with "A Professional Image Editor's Guide…"

Adobe Photoshop CS4 For Photographers is really a reference book for both advanced amateur and professional photographers. It is a listing of every conceivable technique that a photographer may need to implement in the pursuit of creating digital photographic images using Adobe Photoshop. It contains 15 chapters covering over 700 pages.

Chapters 1-2 are more of an introduction to the changes and new features that come with Adobe Photoshop CS4 as well as a guide to the physical layout of Photoshop interface. You will also see how to configure Photoshop to optimize your computer as well as what accessories you may want to help you in your work.

Chapter 3, "Camera Raw Image Processing," has really grown and taken on a life of its own. Because you can process your JPEG and TIFF files, as well as your RAW images this has become a significantly larger chapter is focusing much more on the subject than ever before. Chapter 4, "Sharpening and Noise Reduction," examines pre-sharpening your photos in Photoshop. This topic was all but untouched in previous versions, but now with the advances in Camera Raw, it has become much more important.

Chapter 5, "Image Editing Essentials," gets into specifics about editing a photograph outside of Camera Raw. There are some techniques that overlap with information in previous chapters, but now include images that have never been near to Camera Raw. Here you will learn about the fundamentals of image editing. Chapter 6, "Black and White" will show you how to create black and white images from original color images. It also explores cross processing, infrared effects, and other darkroom-related techniques.

Chapter 7, "Extending the Dynamic Range," is all about capturing the greatest range of tones from the minimum shadows to the brightest highlights. In this chapter you will look at various techniques for getting the most from your images. Chapter 8, "Image Retouching," examines the basic techniques for modifying an image and giving it a more professional look. These include working with the Clone Stamp tool, the Healing brush, the Patch tool, Liquefy tool, and many more.

Chapter 9, "Layers, Selections, and Masking," looks into what it takes to make composite images. Here you will use different image elements to create something totally new. This all begins with making selections, and working with channels. Chapter 10, "Essential Filters for Photoshop Editing," gets into one of the more powerful features of Photoshop; the plug-in filters. Instead of trying to look at all of the 100 or so filters that in Photoshop, you will focus on the 15 or so that are useful for photographic work.

Chapter 11, "Image Management," is all about the use of Adobe Bridge to allow you to preview images, choose the one you want to open in Photoshop, perform ranking, add metadata, and other basic file management tasks. Chapter 12, "Color Management," will introduce you to the basic concepts of color management and look at the color management interface of Photoshop.

Chapter 13, "Print Output," is the printer version of color management. Here you will look at what it takes to get images to print so that they more truly represent what you see on the screen. Chapter 14, "Output for the Web," shows that unlike the printer, when dealing with sending your images to the Web, you really have no control of who will see your work on the Web, and therefore, no control over how the image is viewed on their system. Here you will learn how to get the best output for online distribution. Chapter 15, "Automating Photoshop," looks at how you can speed your work by using keyboard shortcuts, creating actions, and how to use scripts to automate Photoshop.

One point to note, there is a DVD that comes with the book. On the DVD, comes many of the images you see in the book. Not all of the images are included. In the introduction the author explains that some of the images in the book; especially the ones with the models, are of restricted use and can not be given away. There are also movie tutorials, additional tips, and a keyboard reference guide.

To me Adobe Photoshop CS4 For Photographers is just about the most important reference book I have. It covers just about all aspects of Photoshop and presents them with an eye toward the photographer. It is written by a professional photographer for professional photographers. It covers both the Mac and Windows in a clear and concise manner. For intermediate and advanced Photoshop users, it is the definitive word on Photoshop. Now, even for the beginner, it will make you that advanced user. For anyone who is serious about Photoshop, Adobe Photoshop CS4 For Photographers is a must have.

 

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Friday, April 03, 2009

Book Review - Digital Painting In Photoshop By Susan Ruddick Bloom

Written by T. Michael Testi

Most people tend to think of Adobe Photoshop as a program to edit and enhance photographs or make Web graphics, but there is a whole other side to Photoshop that can bring out your inner artist. Whether it is the pigments of the cave dwellers, the materials of the Renaissance, or the pixels of the digital artists humans have felt a need to express themselves through painting.

The goal of Digital Painting in Photoshop is to offer you techniques for working in the new world of digital painting. You will learn how to push pixels instead of pigment. Your monitor will be your canvas. And when all said and done, a printer will apply the pigments. Digital Painting in Photoshop is 248 pages divided into 8 chapters.

Chapter 1, "Introduction to the Concept of Digital Painting," begins by giving a brief overview of painting and its relationship to technology. This is a short chapter wherein the author describes workflow, techniques, and a general outline of the rest of the book.

Chapter 2, "The Basic Tools for Painting in Photoshop," examines the tools that Photoshop gives you for digital painting, most notably its brushes. After examining the brushes that are available, will see how you can make your own brushes, how to work with texture libraries, patterns, and how to apply a pattern texture. This is a detailed chapter and gives you an arsenal to use in the rest of the book.

Chapter 3, "Charcoal Drawings in Photoshop," starts off with a history of the use of charcoal to create drawings. You learn about the traditional materials, and how they are created. Then you will see the techniques used to create charcoal drawings. Finally you look at specific techniques for portraits, landscapes, and a conte brownish-red look.

Chapter 4, "Pastel Drawing in Photoshop," examines the techniques associated with artists like Degas. In this chapter you start off by looking at what constitutes pastel drawings and some of the techniques that are used. Next you will see how to create a pastel brush, look at some issues for when you want to print pastels, and look at some examples of the pastel style.

Chapter 5, "Painting with Watercolors in Photoshop," now turns our attention to replicating watercolor techniques and an overview of the medium. In this chapter you look at a landscape scene and work with the techniques for rendering the image. You will see how to use the appropriate brushes, how to use Pattern Stamp tool and working with a simple two-layer watercolor technique.

Chapter 6, "Painting with Oil Paints in Photoshop," begins with a brief history of oil painting. It then moves to working with an Impasto Technique to recreate the painting that is used on the cover of this book. Next you will work with a Bevel and Emboss Layer style of oil painting. Again you will examine printing considerations with regard to oil painting.

Chapter 7, "Illustration Techniques in Photoshop," now looks at techniques that might be used for illustrative purposes within Photoshop. These include stylization, Faux HDR, pen and ink mixed with aquatinting, a soft focus effect, and a cut out effect.

Chapter 8, "Effects Using Third-Party Software as Photoshop Plug-ins," finally examines some plug-ins for Photoshop that can be used to enhance colors, contrast, and mood. These include Nik Color Efex Pro, Ailen Skin's Snap Art, and Ben Vista's PhotoArtist 2.

Overall, I liked Digital Painting in Photoshop. While I am not much into pastels and charcoal, I realize that since this is an overview book it is meant to expose you to all of the different styles. While it does not go into depth on any given style, it does give you a solid introduction to of them all.

If I had one problem with the book it is that in the second chapter, the author prints out images of all of the brushes as a reference. My thinking is that this should have been located in an appendix with only specific brush information located in the immediate chapter.

Digital Painting in Photoshop is well thought out, well explained, and provides a good look at how digital painting can be accomplished from within Photoshop. If you are familiar with Photoshop, and are willing to explore and experiment, then this book will provide a good foundation into the realm of digital painting and I therefore recommend this book.

 

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Tuesday, March 10, 2009

Book Review: Real World Adobe Photoshop CS4 by Conrad Chavez And David Blatner

Written by T. Michael Testi

 

Real World Adobe Photoshop CS4 is subtitled "Industrial Strength Production Techniques" because that is really what the focus of this book is - how to move images through Photoshop. But this book is not just about Photoshop, it is also about photography and images and translating your own understanding of images into the digital world of Photoshop.

Real World Adobe Photoshop CS4 knows that when you are in a crunch, you have to have an instinctive, intuitive feel for what is going on in Photoshop to finesse it to your needs. Because of this there is a lot of conceptual discussion that goes on in this book. The goal then becomes how to take what you already know and incorporate it with new tools that will give you the ability to push Photoshop to the limit.

This new edition has been completely gone through, tightened up and updated to take on the new features of Adobe Photoshop CS4 including the Masks panel, Modeless Color Correction, Adobe Camera Raw 5, and much, much more. Real World Adobe Photoshop CS4 is contained in 448 pages divided into 12 chapters.

Chapter 1, "Building a Photoshop System," will show you what you need to build a quality Photoshop system. Mac or PC is not as important as having enough power to do the kind of work you need done. Chapter 2, "Image Essentials," reminds us that computers do not understand about images, tone, color, or any of those other things that we view as important about images. While you won't have to understand binary math to work with Photoshop, it does help to understand how Photoshop thinks.

Chapter 3, "Color Essentials," examines the different ways that different people thing about what makes a color. Regardless of if it is RGB, CMYK, Lab, or some other variation, this chapter looks at the fundamental color relationships and how Photoshop presents them. Chapter 4, "Color Settings," constitutes the heart of this book. While the authors consider every topic to be important, they feel that unless you understand how Photoshop handles color behind the scenes, you will never achieve the quality of image that you should be able to get.

Chapter 5, "Building a Digital Workflow," explores what it takes to build a true digital workflow that allows you to make quick work of your digital images. Because taking digital images is so cheap, you soon find you have so many more images which mean that there are many more images to handle. This chapter is all about getting through Adobe Camera Raw as quickly as possible. Chapter 6, "Essential Photoshop Tips and Tricks," continues the work in chapter 5 in that the biggest boost to your productivity is to accelerate it with the tips and trick found here. As a sideline, included here are a couple of Easter eggs included in Photoshop including one honoring the late Bruce Frasier, one of the authors of this book.

Chapter 7, "Image Adjustment Fundamentals," is about tonal manipulation, the adjusting of the lightness or darkness of your images. This is what makes the difference between a flat image and one that pops out and draws you into it. Chapter 8, "The Digital Darkroom," will show you how to get the most out of adjustment layers to make your adjustments instead of burning pixels. By using these techniques, you will be allowed to experiment more with little or no degradation and maximum flexibility.

Chapter 9, "Making Selections," is as important when silhouetting and compositing images as it is when making nondestructive tonal corrections, color corrections, sharpening, and retouching. But to do this you also have to become comfortable working with masks and channels. Chapter 10, "Sharpness, Detail, and Noise Reduction," points out that for us to have a lifelike image it must have sharp edge definition. No matter what quality there is to your scanner or digital camera, you will loose some definition and hence loose sharpness. Here are some techniques to bring that sharpness back.

Chapter 11, "Essential Image Techniques," is a chapter that gives a lot of techniques that allow your images to soar. This is basically a potpourri of tips and tricks that will not only make your images better, but speed up processing as well. Chapter 12, "Image Storage and Output," provides methods of output for those professional images that you are now creating for both printed as well as online destinations.

Real World Adobe Photoshop CS3 is well thought out and well executed. It is definitely a must-own for anyone who wants to get to the nuts and bolts of working with Photoshop. There are hundreds of tips that can be found in the densely filled pages. So much so, that I don't think that there is anything else that comes close to providing this much detail in a book on Photoshop.

Real World Adobe Photoshop CS4 is not going to be for everyone, but if you have a reasonable knowledge of how Photoshop works and you want to learn how to be more productive, have a better understanding of why it does what it does so that you can control the results that you get, then this is an essential book and I highly recommend it.

 

 
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Thursday, February 19, 2009

Software Review: Kubota Pro Pak from Kubota Image Tools, Part 2

The Kubota Pro Pak is a bundled package of products that contains six of the most popular tools from Kevin Kubota's professional image enhancing tools for Adobe Photoshop. This package includes the four Artistic Series of actions, his Production Tools, as well as his Formula Book which contains 42 separate recipes to get just the look you want.

Kubota Pro PakIn part one, I looked at the four paks that are called the Artistic Tools. In part two, I will look at actions the Production Pak and the Formula Book. In case you are not familiar, a Photoshop action is an automated series of steps that have been recorded to provide an effect or series of effects. Some of these actions are totally automated, others have stopping points that request you to perform some action, usually to paint in where you want some sharpening to occur. In all cases there is a pop-up window that tells you what you need to do.

Production Tools Volume 2

In this Production Tools you will find a variety tools that are geared to getting your images back to your clients much faster through the automation nature of Photoshop actions. There are a variety of tools that come with this pack including ones for making adjustments, retouching, finishing, sharpening, and logo placement.

Like with the other tools, everything here is run from the DASHBOARD. This is a separate panel that contains everything you need to work with all of the Kubota tools. You can filter based on the Pak, or you can use the search facility to find an action based on the name or type of action. This can be very helpful when you are using the Formula Book and are not sure from which Pak particular action exists. They have a video on their Web site if you want to see the DASHBOARD in action.

Kubota Pro PakThe Production tools are set up in sections so as to help facilitate your workflow from beginning to end. The first area is the Adjustments section. Here you are told to make any tonal adjustments and basic color corrections to your image. In this section, you can use actions to reduce noise, lighten your overall image, remove magenta casting from skin tones, paint out shadows, and an action to bring out shadow detail.

There is a retouching action that prepares the necessary layers for retouching portraits. There are instructions for what to do with the layers are displayed as sticky notes. As you can see in the image, when the portrait action is run, the layers are created, and a note explaining what you need to on each one is provided.

There is a section that focuses on finishing your images by creating borders around your image. There is a section that will help you interpolate your image by sizing your image up or down; there are ones that will place your image (either horizontal or vertical) into a matted 8x10 (both 250 DPI and 300 DPI).

There is an action in which you can embed the image filename in onto the image, as well as one that will let you place your logo on to various positions one the image. Finally there is a selection of sharpening actions that automates various levels of sharpening to your image.

Kubota Formula Book

Kubota Formula Book is a spiral bound book of 42 recipes from Kevin Kubota's magic bag of tricks. Included with this book is a companion DVD that contains a video tutorial for each of the formulas that will walk you through the creation of the final image in Photoshop.

Each page contains a before and after image so you can see the results. There is a story behind the image. Many of these are interesting in how the shot was captured and the reason why. I personally liked the one where Kubota is sitting on the trunk of a moving car to capture the image with his feet strapped in the rear passenger seat belts, while the bride and groom are in the middle of a kiss. Oh, and the groom is driving.

All of the metadata on the exposure, ISO, lens type, etc. is provided along with the steps and actions needed to create the image. Another interesting point about this book is that it is set up in such a way that future "add-on Paks" are planned for the future and you will be able to add these to the book. The image below was created using formula number three which is called "Daisy Duke."

Kubota Pro PakWhile the biggest problem with having all of these actions is learning when to use what combination of actions and tools, the Formula book is an enormous help. I like the way it is laid out and professionally done. With the DVD tutorials, it makes learning these tools a cinch. The Power tools, like the Artistic tools, are very easy to use and make a lot of mundane chores automatic.

If you are a professional photographer, especially one who does weddings, portraits, or graduations, you really owe it to yourself to check into the Kubota Pro Pak, or any of the Kubota products for the photographer. They will allow you to get the maximum productivity with the least amount of effort. Even if you only use a small portion of the effects, they will pay for themselves in time savings and customer satisfaction over and over again. I highly recommend this product.

 

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Wednesday, February 18, 2009

Software Review: Kubota Pro Pak - Part 1 From Kubota Image Tools

The Kubota Pro Pak is a bundled package of products that contains six of the most popular tools from Kevin Kubota's professional image enhancing tools for Adobe Photoshop. This package includes the four Artistic Series of actions, his Production Tools, as well as his Formula Book which contains 42 separate recipes to get just the look you want.

Who is Kevin Kubota and what makes his actions so special? Well first off he was named one of the top ten wedding photographers of 2007 by Popular Photography Magazine for giving his customers more than they expect by capturing fresh, expressive images. He has now taken that philosophy to Photoshop processing by providing the same techniques to you via his image tools.

Today Kubota Pro PakI will look at the four actions sets known as the Artistic Tools. In case you are not familiar, a Photoshop action is an automated series of steps that have been recorded to provide an effect or series of effects. Some of these actions are totally automated, while others have stopping points that request you to perform some action, usually to paint in where you want some sharpening to occur. In all cases there is a pop-up window that tells you what you need to do.

Artistic Tools Vol. One: The "Classic Film Effects" Pak
In this pak you will find a variety of Black & White Actions, organic film grain, cross-processing effects, sepia effects, and monochrome toning. This set contains over 40 Actions and it includes Skin Cream, Fuji Snappit, Vignette, as well as Eye and Teeth Enhancer.

The black and white effects include conversions that give nice film grain effects without introducing digital noise. In this way they look much more organic and have a better feel. There is not a loss of sharpness and in fact many times the sharpness appears enhanced. There are actions that smooth skin, add glow to the image, add a Hollywood effect, as well as other creative effects for a vignette, giving a romantic feel, and adding vibrancy to the image.

There are color actions that can add a bright sunny effect, a cross processed look, and a contrasty Fugi Velvia film look. There are also image correction actions that raise the shadow values, lower contrasts and saturations, adding warming gel filters to add mood to an image, as well as a mid-tone brightener. There are even actions that will attempt to fix images shot with the wrong white balance. There are examples of "Classic Film Effects" Pak on the Kubota Image Site.

Artistic Tools Vol. Two: The "Modern Chic" Pak
This pak includes what has been known as Lord of the Rings series and is one of the most popular of the Kubota Actions and is what helped make it a HOT ONE award winner. Also it also contains enhancements that give your images color pop, colorful toning, soft glowing and innovative black and white effects. This pak contains over 50 enhancements including Daily Multi Vitamin, Radiant People, Radiance Landscape, Edge Burner, Digital Fill Flash and Smokeless Burn.

Kubota Pro PakThese actions under Black and White will give you the ability to work with a modern antique look that will have the user wondering if it is really black and white or color. There are some that will tone your black and white to blue, green, red, and other tones as well as ones to create a more traditional black and white image.

The color effects will help you add 'Life' to everyday images. The Lord of the Rings series aims to mimic the deep, romantic feel of the movie by adding color richness, a soft glowing effect, and contrast. There are several variations on this one.

The Creative effects include one that gives a painterly effect, another with a canvas texture, one that gives an angel glow, one that burns the edges, and one that performs an edge blur. The Image corrections include one to eliminate posterization problems, one that adds digital fill flash, a smokeless burn that works just the opposite of flash fill, one to work details, one to reduce noise, and one that works skin tones.

There are also a set of image bordering actions that will create 4x6 images with borders for printing proofs. There are examples of "Modern Chic" Pak on the Kubota Image Site.

Kubota Pro PakArtistic Tools Vol. Three: The "High Fashion-Edgy" Pak
In this pak while there are a lot of enhancement tools that can be used to work on "everyday" images, you will also find a series funky high fashion looks, glowing and deeply romantic black and white effects, and color styles. This pak contains over 45 enhancements, including Fashion Passion, Kiyoko Punch, Tea Stained, Anime Soft, Anime Bold, Doll Face, Skin Powder Genie and Eye Color Enhancer.

The black and white actions include ones that lighten up the skin tones, add rich warmth to the shadows, have some bronze toning and combine velveteen with a black satin look.

Color effects include a Hollywood glow effect is works for fashion and outdoor scenes, a cross processed look that has more pleasing skin tones than the traditional, a dramatic old world look, a high key contrast that is bold and sassy, a tea-stained look, and a 'Look' that is gentle enough to use every day, but has the punch to make your images pop.

Creative effects include a glow that is made for children, graduates, and fashion images, a look that emulates half photo, half painting, a rich and moody forest look, a soft wash, and a wash-out look. The image corrections include a dark line eraser to remove things like shadows from eyes, an eye color enhancer, a skin powder genie to get that cover girl smoothness, as well as an overall helper to restore detail on a slightly overexposed image.

Again there are also a set of new image bordering actions that will create 4x6 images with borders for printing proofs. There are examples of "High Fashion-Edgy" Pak on the Kubota Image Site.

Kubota Pro PakArtistic Tools Vol. Four: The "Cutting-Edge" Pak
This is a collection of modern image enhancing tools for producing unique looks in the marketplace. There is a three-dimensional "Enter the Dragon" all the way to a cinematic "300-esque." Also, there are new interactive B&W converters for the attempting the perfect tonal blend and richness within your images. This pak contains over 50 enhancements, including BW Full Moon, Highlight Enhancer, Dark Darkener, Popsickle, Punch Drunk, China Doll, Comic Relief, Vignette 2 Auto and Ragged Edges.

The black and white effects include ones with an infrared feel, one with deep blacks, one that allows you to fine tune the tonality of different colors before conversion, one gives a more edgy bold look, and one that you can give a subtle hint of color.

The color effects include "Enter the Dragon" series that gives a three-dimensional, edgy, bold look with lots of texture; one that is more soft and romantic; one that enhances details and removes haziness from your image; the "300-esque" series that attempts to capture the movie's warm perpetual sunset and soft film grain look; and there is one that gives an old London town look.

The image corrections include a contrast brush to paint contrast into areas that need that oomph, highlight rescue where you paint to bring out the highlights that are not there, a Dark Darkener for painting on areas that need to be darker, and a Luminizer for opening up the shadows.

In this pack you also get a series of edges and vignettes for darkening edges and bringing out the focus of your image. There are examples of "Cutting-Edge" Pak on the Kubota Image Site.

Obviously there are too many actions to do more than highlight what each pak contains here. You can get online to evaluate everything for yourself, but with the fact that you have over 40 actions per pak and you can combine them with each other, using multiple actions to create different looks, you really have a limitless array of effects that you can create.

The biggest problem I see with having all of these effects is knowing what to use and when to use it. Obviously, the final results will come from experimentation and trial and error. One thing that helps is that the samples from the Kubota site are a great starting point. It appears that there will eventually be tutorials as well, which will be even better. In part two, along with looking at the Production Tools, I will look at the Kubota Formula Book that gives you 42 step-by-step recipes for getting that certain look and, to me, that is something else that will help the learning curve tremendously as well.

If you are a professional photographer, especially one who does weddings, portraits, or graduations, you really owe it to yourself to check into the Kubota Pro Pak, or any of the Kubota products for the photographer. They will allow you to get the maximum productivity with the least amount of effort. Even if you only use a small portion of the effects, they will pay for themselves in time savings and customer satisfaction over and over again. I highly recommend this product.

 

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Tuesday, February 17, 2009

Book Review: The Photoshop Lightroom Workbook - Workflow Not Workslow in Lightroom 2 by Seth Resnick And Jamie Spritzer

As co-founders of the photography training and consultancy company D-65, the authors Seth Resnick and Jamie Spritzer understand the importance in the use of Adobe Lightroom 2, and especially in how to manage its workflow. In The Photoshop Lightroom Workbook, they will attempt to present a well tested workflow that photographers can implement exactly as they do at D-65.

What's more is that in The Photoshop Lightroom Workbook the workflow can be adapted to a specific photographers job requirements, or changed on a job by job basis. As being alpha testers of the product, they have worked with the product for a long time and through insider knowledge, tips, and tricks they plan to take you from before you shoot to out to output in an effective and efficient manner.

Chapter one, "Before You Shoot," begins by examining the importance some of the key elements that you need to consider before shooting digital. In this section you will look at memory cards, ISO, white balance, using a color checker, working with histograms, filters, and other important concepts in the digital world.

Chapter two, "Understanding File Formats," looks in to the various file formats that can be used while shooting digital and what some of the pros and cons of each are. Chapter three, "Color Space for Digital" digs down into the four main color spaces that you can work with when dealing with digital; sRGB, Adobe98, ColorMatch, and ProPhoto. Here you will examine why you would or would not want to use each one of them.

Chapter four, "The Lightroom Catalog," now explains the catalog system. One of the main reasons you would want to use Lightroom is for its powerful cataloging and file management system. Chapter five, "Lightroom's Preferences," calls into question the viability of default preferences. Here you will see what the D-65 group uses.

Chapter six, "Lightroom's Architecture," defines how, while Lightroom is an application, it is modular by nature, and how this makes it not only more flexible, but will make it more expandable in the future. Chapter seven, "The Lightroom Library Module," describes the main asset management module and how it can be used to catalog and manage your assets as well as doing some quick corrections.

Chapter eight, "The Develop Module," contains all of the controls that you need to adjust images. In this chapter you will see why D-65 calls this their "tweaking command central" and how you can use it to edit your images nondestructively. Chapter nine, "Global Corrections and Synchronizing Develop Settings," now takes development further by showing you how to apply the changes learned in the previous chapter to your images either individually or in groups.

Chapter 10, "The Slideshow Module," examines that how now that you have adjusted your images, you can put them into a slideshow presentation as a method to deliver to your clients, family, or friends. Chapter 11, "The Print Module," makes printing a breeze with all of the new features in version 2. In this chapter you will see how to print layouts, print to PDF, print to a JPEG and attach a profile, and create contact sheets.

Chapter 12, "The Web Module," gives you the ability to create web galleries from RAW images. Here you will see how it is done and all with little effort and no knowledge of programming. Chapter 13, "D-65's Lightroom Workflow," is all about putting what you have learned thus far, into action. This chapter covers the D-65 workflow that they have developed over the course of working with Lightroom. Starting with a memory card of images, you will be taken all the way through editing, adding metadata and keywords, correcting, presentation, final product, and preparation to archive.

Chapter 14, "Archiving," has the goal of preservation of your catalog. This is not just backing up, but rather assuring that you have an exact duplicate of your catalog and all of your image files in multiple locations.

Chapter 15, "Importing and Exporting Catalogs and Synchronizing Your Laptop and Desktop," answers the question of how you keep your laptop synchronized with your desktop computer and any other computers that you work with. While this may appear confusing at times, D-65 has found a way that works for them, and here they share with you.

Chapter 16, "Taking it up a Notch – Advanced Lightroom," gets into working outside the box. This chapter shows you how to integrate your Lightroom with Photoshop to work with techniques like panoramas and work with actions, and then bring it back into Lightroom.

The Photoshop Lightroom Workbook provides a firm understanding of establishing an end-to-end digital workflow and for anyone who is working at this understanding, this can be a daunting task. This alone makes this a great book to own.

Add to that, The Photoshop Lightroom Workbook also gives you a solid understanding of digital photographic technology as well. You can get a good understanding of how to set everything up and how to move everything for an efficient workflow.

Pleasantly, the authors don't confound by trying to throw everything at you at, only what you need to know to get the job done. It is very systematically done, and very easy to understand from any level of user. If you want to truly become efficient in your digital workflow, then you really need The Photoshop Lightroom Workbook.

 

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Monday, December 29, 2008

Software Review: Adobe Photoshop Plug-In DxO FilmPack 2 from DxO Labs

Written by T. Michael Testi

With the latest release of DxO FilmPack version 2 from DxO Labs you now can not only add the style and beauty of classic films to your images, but you can now add additional traditional film effects giving you more capabilities to replicate the look and feel to real film. DxO FilmPack is a plug-in that gives digital images both the look and the grain of conventional films.

OK, I know what you're asking! I gave up film (or never used it) because of all the graininess and the color differences, why would I want to start making my images look as though they were taken on film? Well, one reason is for artistic license. You may want to give an image that fresh-from-the-fixer look. Another reason is that you may want to integrate film images and digital images and you need some method to get a more consistent look for all.

DxODxO FilmPack recreates the color and grain of over 50 classic film types. These include Kodachrome, Tri-X, Velvia, and Illford. These films were analyzed and reproduced so that they could be applied with just one stroke of the keyboard. The package also offers access to several toning filters to transform any digital image into a toned print. These include Sepia, Terra Sepia, Ferric Sulfate, Gold Sepia, Gold, and Selenium.
DxO labs has a complete list of the available film looks, and they break down into nine categories. color positive films, generic positive films (without grain profile), instant color positive, black and white films, color negative films, instant black and white films, color filters, black and white filters, and tonings.

DxO FilmPack can be used as a standalone product or from the filter menu within Adobe Photoshop. The user interface is self-explanatory. You have drop-down lists and sliders. You choose an emulsion and the filter applies the color and the grain of the film to your image. You are presented with a preview on the screen so you can see what it looks like.

 

You can mix the color of one film with the grain of another. You can also adjust the grain of the film manually or you can match it with a 35mm, medium format, or large format look. There is also a special profile called "Cross-Processed" renderings. This is a specific development mode which consists of processing slide film with the treatment chain adapted to negative film and vice versa. This gives you a lot of room for experimentation.

DxOWhat is new in version DxO FilmPack 2? First off there are 27 new film types. These include 10 slide films, 5 color negative films and 12 black and white films. These 27 also contain 7 new instant films (Polaroid and Fuji) and 3 Infrared films (Kodak, and Rollei). There are also 8 new color filters (Green, Yellow, Orange, Dark Orange, Blue, Red, Cool tone and Warm tone) providing you with even more post-processing possibilities and additional creativity.

While DxO FilmPack 2 is not going to be used for every situation, it does provide for a lot of creative artistic expression. It is very easy to use and very functional. My only complaint is that you still cannot create your own formulas and save them. If you get a specific look and feel, you have to reset it for each image you want to process. On the other hand if you need to match film-based images for a presentation, or if you want some unique creative license to experiment for a different look and feel for that film look, then DxO FilmPack 2 is the product for you.