Friday, June 27, 2008

Friday News of Note

Jeff Revell of PhotoWalkPro fame has a great article called "I want to buy a DSLR, which camera should I buy?" on buying a DSLR camera that you should checkout. What I like about it is how he takes you through the steps to figure out just what you need.

Scott Kelby is doing a poll on the "10 Most Wanted Photoshop Features" for Photoshop CS4. Check it out and vote!

John Paul Caponigro is promoting his "Insights" monthly eNews that keeps you informed of useful techniques, discounts, reviews and industry news. 

What’s in the latest issue of Insights?

  • Camera Tests - Sharpest Aperture
  • Camera Tests - Vignetting
  • Camera Tests - Chromatic Aberration
  • Camera Tests - Dust
  • Download - Lens Correction Filter
  • Download - Evaluating Histograms

Tell them you heard about it here!

Finally Diet.com has an interesting video called "The Photoshop Effect" about creating the unattainable image of perfection.

Adobe Posts Camera Raw 4.5 Release Candidate

Posted by T. Michael Testi

Adobe has posted a release candidate (RC) for their newest version of Camera Raw 4.5. While this has been well tested by their internal test systems (including beta's) they feel that some real world testing would be beneficial before automatically distributing to customers.  If you do find a problem using this RC, they have a forum that you can contact.

Download

DNG Converter and Camera Raw plug-in for Macintosh and Windows.

System Requirements

See the system requirements for Adobe Creative Suite 3 or Photoshop CS3.

Installation

Windows®
  1. Exit Photoshop CS3 and Adobe Bridge.
  2. Open My Computer.
  3. Double-click Local Disk (C:).
  4. Navigate to Program Files\Common Files\Adobe\Plug-Ins\CS3\File Formats.
  5. Move the existing Camera Raw.8bi plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.
  6. Copy the Camera Raw plug-in, Camera Raw.8bi, from the download into the same folder as Step 4.
  7. Launch Photoshop CS3 or Adobe Bridge.
Macintosh
  1. Exit Photoshop CS3 and Adobe Bridge.
  2. Open the Finder.
  3. Navigate to the root of the local disk (not the user’s home folder).
  4. Navigate to Library/Application Support/Adobe/Plug-Ins/CS3/File Formats.
  5. Move the existing plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.
  6. Copy the Camera Raw plug-in, Camera Raw, from the download into the same folder as in Step 4.
  7. Launch Photoshop CS3 or Adobe Bridge.

Release Notes

  • Newly supported camera models include:
    • Olympus E 420
    • Olympus E 520
  • Please provide feedback on your experience with the Camera Raw 4.5 plug-in and the DNG Converter on the Camera Raw User to User forum.

Thursday, June 26, 2008

Are Photographers Really a Threat?

 

By Bruce Schneier

From The Guardian

What is it with photographers these days? Are they really all terrorists, or does everyone just think they are?

Since 9/11, there has been an increasing war on photography. Photographers have been harassed, questioned, detained, arrested or worse, and declared to be unwelcome. We've been repeatedly told to watch out for photographers, especially suspicious ones. Clearly any terrorist is going to first photograph his target, so vigilance is required.

Except that it's nonsense. The 9/11 terrorists didn't photograph anything. Nor did the London transport bombers, the Madrid bombers, or the liquid bombers arrested in 2006. Timothy McVeigh didn't photograph the Oklahoma City Federal Building. The Unabomber didn't photograph anything; neither did shoe-bomber Richard Reid. Photographs aren't being found amongst the papers of Palestinian suicide bombers. The IRA wasn't known for its photography. Even those manufactured terrorist plots that the US government likes to talk about -- the Ft. Dix terrorists, the JFK airport bombers, the Miami 7, the Lackawanna 6 -- no photography.

Read it all...

PhotographyBB Releases Issue #5 of their Free PDF Magazine

Posted by T. Michael Testi

Press Release: from PhotographyBB

VANCOUVER, CANADA, JUNE 10th, 2008 - PhotographyBB announced today, the release of the fifth edition of the PhotographyBB Online Magazine. By way of download in either PDF or ZIP formats, PhotographyBB continues its trend through the future of free downloadable magazine distribution. In a completely ad-free format, each issue contains informative and educational tutorials for amateur and intermediate level photographers.

In addition to articles which aide beginners in getting the most from their DSLR cameras, the PhotographyBB Online Magazine also features useful and applicable tutorials on how to use post-processing tools such as Photoshop, Elements, and more, to build on digital photography post-processing skills.

Regarding this recent release, Dave Seeram - Editor and Publisher says, “I am extremely proud of the accomplishments we have made with our 5th issue for June. The magazine has come a long way over the past 5 months. This month, we’ve added some new columns to the magazine, and we welcome another new contributing author. In addition to the Photoshop, Elements, and Dreamweaver tutorial series for photographers, we’ve just launched a new multi-issue series on HDR (High Dynamic Range) photography. Over the next few months, we’ll take you through everything you need to know about HDR from start to finish.

We are also beginning to feature a lot of thought provoking articles for the photographer to consider. Sometimes they are edgy, sometimes they are profound, but always - they are good food for the photographer’s brain. I look forward to sharing this issue with our readers!”

PhotographyBB Online Magazine is available for free download through the PhotographyBB Website at: http://www.photographyBB.com/magazine

PhotographyBB was founded in Oct, 2006, and is a division of PowerButton Central (2004). For more information, visit the PhotographyBB website at: http://www.photographybb.com or by email at: admin@photographybb.com

Wednesday, June 25, 2008

Software Review: FocalPoint From onOne Software

Written by T. Michael Testi

Have you ever wondered how professional photographers make their subjects stand out from the background? You may see an insect on a flower that is in focus and everything else is blurred. This is a standard trick used by the pros that is called selective focus. One method of doing this is to control depth of field in the camera by using a large aperture lens to produce a narrow depth of field.

Another method is to hand-manipulate the image in an image editing program such as Photoshop, but that can take time and some skill to get it to look good without that manipulated feel — that is, until FocalPoint from onOne Software.

FocalPoint gives you the ability to use selective focus to remove distracting backgrounds and allows you to force the viewer's line of sight directly onto the subject. While this is often used in macro photography, it is also very popular in portrait, wedding, commercial, and editorial photography as well.

FocalPointTo run FocalPoint on Mac you need OSX 10.4.10, 10.5 or higher with either 1 GHz G5 or Intel core processor. On Windows you need XP SP2, Vista, or later, 1GHz Pentium 4 processor or equivalent. And then you need Photoshop CS2, CS3, or Photoshop Elements 4 (on Mac) or Elements 5 (on PC) or later. You'll need a minimum of 1 GB ram (2 GB recommended), 25 MB disk space, OpenGL 1.5 video card, and Adobe Flash Player 9 for tutorial movies. On a PC you also need Microsoft .NET Framework 2.0 or higher.

So what do you get with FocalPoint?

• Selective focus – gives you the ability to add selective focus to images after they have been taken. Unlike attempting this in the image, there is no special knowledge or additional equipment needed. Also, unlike camera-based selective focus, you can adjust the degree, the plane, as well as the "sweet spot" — the un-blurred area of your image — well after the image has been taken.

• Adding vignettes – will now let you lighten or darken the edges of the image to minimize the distractions within the image's edges and focus the attention back to the subject.

FocalPoint • Blur control – gives you the ability to blur via two shapes, planar and round. The planar simulates a tilt-shift appearance similar to that what you would get in a view camera, or a tilt shift lens. It gives a sweet spot that slices through the image from one side to another. The round creates a round or oblong sweet spot that is similar to using a selective focus lens.

• 3D tilt – lets you tilt the sweet spot aperture in 3D simulating the tilt effect of a view camera or a tilt shift lens. It allows you to increase or decrease the amount of feather or blur across a plane.

• Blur types – allow you to vary the blur style that is used. You can select from a standard defocused look, or add a little motion to simulate the look of certain types of lenses.

FocalPoint • Layers – FocalPoint always returns its results into a new layer in Photoshop. This protects your original image for additional editing. It can even add a layer mask so you can adjust the effect in Photoshop.

I found that FocalPoint is very easy to install and use. It gave surprisingly good results. The available resources via the help and the video tutorials make this easy to learn as well. I also liked the fact that you could go into the Fine-Tune panel to take more control over your image correction

I found that FocalPoint was very easy to use and apply. You take your image in Photoshop and select FocalPoint from the onOne Menu. Then you start with a FocusBug that you place on the image. By changing the four shorter extender bars you control the size of the sweet spot, and by changing the longer bars you control blur, opacity, and the feather. You also have slider bars on the side panel that you can control as well. Once you are done, you select apply and you are then returned to Photoshop with your image in a new layer. You can even save the effect as a preset to recall it later. The FocusBug will recall prior settings so you can apply it to a number of images easily.

FocalPoint really makes it easy to get professional results from outside the camera and the lens. If you have images that you want to have that selective focus feel, but cannot go back and re-shoot, if you don't the right equipment to get the look, or don't have the time to set everything up, then I can easily recommend FocalPoint 1.0.

Monday, June 23, 2008

Video Training Review: Vue 6 xStream Essential Training With Larry Mitchell

 

Reviewed by T. Michael Testi

Vue 6 is the latest release from e-on software for the creation of realistic 3D environments. These include landscapes, buildings, and atmospheres. These creations can be used for both still work as well as animation and have been used to create new worlds for popular films such as Pirates of the Caribbean and Spiderwick Chronicles. To learn more about the product itself you can read my review Vue 6 Infinite.

Your trainer for this library is Larry Mitchell, a digital media artist and producer for the last 20 years. He has created graphics and software for TV shows, arenas, video games and commercials. Vue 6 xStream Essential Training is divided into 11 lessons and runs 9.5 hours.

Lesson 1, "Getting to Know Vue" begins with a brief welcome and an explanation of how to use the exercise files. Then you move into an overview of the Vue interface and the rich number of options that are available for you use. You then are shown some essential preferences and how to select and transform objects. Lesson 2, "Vue Objects" gives you a good run through of all of the different objects that you can find in Vue such as primitives, rocks, plants, water, clouds, and terrain.

Lesson 3, "Additional Objects" describes the library, text, and the importation of 3D objects. Lesson 4, "Modeling Objects" teach you about the ventilator objects, Boolean, objects, and group objects. Ventilators are a method to give you a localized wind source so that when the main wind is blowing one way, the ventilator can blow something a different direction. Boolean allows you to use logic to create an new item from more than one object. Group objects allow you to create parent/child and sibling/sibling relationships between objects.

Lesson 5, "Materials" is all about the different types of materials that you can work with from within Vue. Here you will see how to create basic materials, animated materials, eco systems, hyper textures, and sub surface scattering; allowing light to be absorbed or redirected through a material. Lesson 6, "Lighting" shows you how to create different lighting types, how to control and edit lights, and converting objects to area lights.

Lesson 7,"Cameras" guides you through the use of camera. Cameras are how the rendering sees your objects. This includes controlling the camera, showing you what the advanced camera options are, and how to use frame guides to make sure that objects are effectively displayed in your render. Lesson 8, "Working with Atmospheres" is a detailed lesson in making your world appear more real. Here you will work with clouds, the sun, sky, fog, stars, wind, and other things that will give your image depth.

Lesson 9, "Rendering" shows that now that you have created your world, you now need to render it to make it really see it. Here you will work with render quality, render destination, picture size and resolution as well as rendering to animation. Lesson 10, "Animation" shows you how to make your world come to life by giving it movement. Here, along with giving it movement you will see how to animate a plane as well as a car. Lesson 11, "Integrated Workflow" will finish up with how to use Vue 6 with other programs such as Poser, and Cinema 4D.

As with his Poser training, instructor Larry Mitchell takes what is a complex program and really makes it simple to use. He systematically steps through each section and clearly shows you how Vue 6 works. While this title is Vue 6 xStream Essential Training, it contains plenty of information for the Vue family of products.

You can get Vue 6 xStream Essential Training two ways. One is as a DVD training package Vue 6 xStream Essential Training and the other is part of the online training experience at Lynda.com. The DVD Training Package is $149 USD and includes Vue 6 xStream Essential Training as well as containing everything you need.

The online training Vue 6 xStream Essential Training comes in three flavors. For $25 USD/month you get all of the videos that are available online (approximately 21,811 videos on 318 topics at this time). For $250 USD annually (or Premium at $375 USD per year) you get all the videos as well as all of the exercise files. Take note that the exercise files are not included with the monthly or annual subscriptions. They are included on the DVD and Premium subscriptions.

You can use Vue 6 xStream Essential Training as a training program for the individual student, as well as the college or vocational teacher looking to supplement their educational materials. It is of benefit to anyone who needs help understanding Vue 6 xStream Essential Training. You can also try out most of the first lesson and more for free at Lynda.com.

10 myths about digital cameras and imaging busted

 

Posted by T. Michael Testi

From CNET

Ok, what do you think? The better the camera the better the pictures? What about more pixels make better images? Or, here's one, you can solve all of your image problems in Photoshop right?

There are many misconceptions about digital cameras and imaging. Some of them have been around since the dawn of photography, while others surfaced with the digital revolution. It's easy to believe the hearsay when you've heard them often enough, but most turn out to be fake when investigated. In this feature, we explore the common myths and legends of digital photography and give you our take on them.

What to find out? Read it all...